I Went Out For A Pack Of Cigarettes And Never Came Back: Penny Arcade Speaks

INTERVIEWS, ISSUE #3

Penny Arcade sprung out of New York City’s “Playhouse of the Ridiculous,” which had close ties to her mentor Jaimie Andrews and the director John Vaccaro. Andy Warhol was impressed by her high energy and quick whit, and casted her in Paul Morrissey’s “Women In Revolt.” Recently, Penny has toured the world twice for her production “BITCH!DYKE!FAGHAG!WHORE!,” and creates art that show her political/housing/pirate radio/independent art/AIDS activism.

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Tommy James Invented Bubblegum Pop

INTERVIEWS, ISSUE #2

Tommy James was one of the many stars in Issue#2 of TEENAGE NEWS. Here is an excerpt from his tell all interview. For the full story buy TEENAGE NEWS#2.

Tommy James accidentally invented a whole world of bubblegum pop when he sold over 110 million records. Under contract with a crazy record label, Roulette Records, Tommy escaped the grasps of the Mafia while staying true to music and himself.  He started with his hit single “Hanky Panky” and his band of Shondells.  Now, Tommy James is an author and there is a major motion picture coming out on his life.  Pay attention world.

KLAUS NOMI: Riding The New Wave

ISSUE #2, reviews

This article originally appeared in Issue#2 of TEENAGE NEWS. It is written by Madeline Bocaro and can also be found on her blog

The transitional period between decades is always highly charged with the excitement of things to come, and nostalgia for an era coming to an end. The 1970’s had their final burst of energy with Punk rock, but by 1979, the New Wave was already upon us. Simmering beneath the deliberate crudeness, realism and rage of Punk was a brightly coloured, cosmetic, futuristic fantasy world. The movement’s forerunners were fans of British Glam rock, especially of David Bowie, and had an ironic affection for the danceability of Disco, hoping to replace it with a more whimsical, eccentric and sardonic genre. It was time for some fun. The Rocky Horror Picture Show was back in town!

No More Canaries: Cherry Vanilla Is More Than Punk

INTERVIEWS, ISSUE #1, ISSUE #2, ISSUE #3

Cherry Vanilla added a bright red flare to Punk.  She produced highly original music that stood up against and pushed Punk’s connotations. Cherry Vanilla’s two albums are more punk in concept than sound, and carefully tie together Garage, Pop, Rock, and Honky Tonk. Her Punk pounds punch after punch into all authoritative and mass produced bull shit.  Rufus Wainwright called Cherry Vanilla “a state of mind,” but that is too limiting. Cherry Vanilla is everywhere and her overwhelming contributions are channeled everyday by Tastemakers and Scenesters.  Against her control, she was the “The First Lady of Punk,” but so be it: She was First and She is the Best.  

Cherry Vanilla’s history is long and star-studded. Her perseverance proves she can’t quit, and that something greater than her is compelling her to create much more than pieces of merchandise.  Cherry made her entrance in the art world as a performance artist in various “Off-Broadway” plays in New York City. Her biggest and most culturally bending theatrical venture was starring in Andy Warhol’s only play “Pork.” “Pork” was based on recorded conversations and gossip about socialite life between Brigid Berlinn and Warhol himself. Cherry Vanilla played Amanda Pork (Brigid Berlinn), and proved she was destined for the stage. “Pork” was fundamental to the development of Glitter Rock, and had a huge impact on David Bowie’s career. So much so that he later told William S. Burroughs: “I want to get [Pork] on to TV. TV has eaten up everything else, and Warhol films are all that is left, which is fabulous. Pork could become the next I Love Lucy, the great American domestic comedy. It’s about how people really live, not like Lucy, who never touched dishwater. It’s about people living and hustling to survive. That’s what Pork is all about. A smashing of the spectacle.” But David Bowie wasn’t just impressed by “Pork’s” concept of alternative and trashy entertainment, he was impressed by Cherry’s genuine character and stage presence. After “Pork” and up until 1974 she was head of Public Relations and Marketing at MainMan LTD. MainMan was David Bowie’s management company and worked closely with David Bowie’s RCA label mates. Cherry was natural at PR, realizing that both lies and truths can stir up friendly excitement that ultimately boosts record sales. Worth noting is when Cherry was a teenager she worked at a Madison Avenue Advertisement Agency. She did commercials then, and she also did commercials (voice overs) for David Bowie. She had the skills to survive as a woman in the largely male dominated Entertainment Agency.  Also in 1974, she released her first book Pop Tart Compositions.  Pop Tart Compositions contained photographs, drawings and Cherry’s poetry. Issue#2 of TEENAGE NEWS reprinted an excerpt from Pop Tart Compositions for the first time since its original publishing. [Anyone have an extra copy of the original? Send us one!]

1974 was a big year for Cherry Vanilla. She made her debut as a singer and songwriter. Her performance art background gave her a stage presence that to this day is unmatched. Her first released song was the proto-punk “Shake Your Ashes” recorded by Cherry Vanilla & her Staten Island Band on the Max’s Kansas City album in 1976. Just like the Glitter and Glam elements in “Pork,” Cherry was once again first in the next trend, Punk.

BRASHcore and TEENAGE NEWS are taking it upon themselves to preserve Cherry’s legacy. In 2010 Cherry Vanilla released her tell all autobiography Lick Me.  Lick Me shows Cherry Vanilla in yet another light, and begins with her childhood and ends before she signed with RCA UK in 1977. BRASHcore is doing a Three Part Series with the goal of documenting Cherry’s life after Lick Me.

This First Feature in the series elucidates on Cherry’s career in the Music Industry from 1977-1982.

You Don’t Own Me: An Interview With Silke Berlinn

INTERVIEWS, ISSUE #1, ISSUE #3

Silke Berlinn is TEENAGE NEWS. When she was 15 years old she hitchhiked to California and formed her first band. TEENAGE NEWS has featured Silke Berlinn in print and online. Now we are publishing our tell all interview with Silke.

“Nobody in the world knows this stuff. It certainly hasn’t been published. You have the scoop on this. This is fresh material, and you are breaking the news. 

I was a musicans’ musician. All the people who were in the in knew who I was. I just was so fucked up, I never really grew up. I was 15 years old when I left home. No one tried to find me. My family really made no effort to find out where I was or what I was doing. I was from a rich family, but they certainly did not give me anything. No money or no help. I never asked. To this day what I have done I have done alone. It was a crazy life…”

The Mutants: Tracks On Tracks In Your Face (Brendan Earley & Fritz Fox)

INTERVIEWS, ISSUE #2

The Mutants were San Francisco’s seminal punk band and dominated California’s first wave of Punk/Art Rock. They had 7 band members and 3 lead singers (2 female, 1 male). They formed in 1977, and released their sole album “Fun Terminal” in 1981 a year after their EP debut. In Issue #2 we spoke with Brendan Earley (the guitarist) and Fritz Fox (the singer). Here is excerpt from their track by track commentary. For the full feature buy TEENAGE NEWS: https://www.etsy.com/listing/201876845/teenage-news-2-music-zine-features-john?show_panel=true

Just An Alley Cat: Randy Stodola Speaks!

INTERVIEWS, ISSUE #3

Randy Stodola is the driving force behind the Alley Cats. The Alley Cats dominated the first wave of punk, and hailed from Los Angeles, CA.  The Alley Cats released two records before they changed their name to the Zarkons. The Zarkons also released two albums.  Randy Stodola played guitar, sang, wrote, and produced all of the Alley Cats and Zarkons records. Randy is a bad ass guitarist, and one of punks’  most articulate lyricists. His lyrics are tainted with psychedelic concerns. After a 20 year retirement, he is now back and better than ever.  If you can, go see the Alley Cats live.  

The interview will appear in full in Issue#3.  

Silke Berlinn & the Addictions: Fantasy & Disco Nazi 2014

ISSUE #1, MIXTAPES

Hmm… So Silke Berlinn is the “Queen of the Underground” who got her kicks during the first-wave of punk in San Francisco and New York City. In both cities she fronted the Addictions, 533792_124713987694145_525966335_nand at one time her band was contracted to Columbia for a three record deal.  The world does not know much about Silke Berlinn; but ultimately the records were never released, and she left the music biz and the press’ eye in the 1980’s.  Now, Silke is back and better than ever, with new songs and albums.  

ISSUE#1 of TEENAGE NEWS featured a chapter from Silke Berlinn’s unpublished autobiography.  It was a short, enticing, holy-shit-what-is-this article.  Silke rocks and she tells the truth.